Evangelisches Gesangbuch PDF

1998 ist das aktuelle Gesangbuch der Evangelisch-reformierten Kirchen der deutschsprachigen Schweiz erschienen. Es bietet eine Vielzahl von Liedern und Gesängen. Hier stellen wir Ihnen einige Hilfsmittel dazu zur Verfügung. Evangelisches Gesangbuch PDF Informationen gibt es auf den Gesangbuchseiten der Liturgiekommission.


Författare: .
Ausgaben für die Landeskirchen Rheinland, Westfalen und Lippe (RWL)

Auch Menschen unserer Zeit singen gerne, wenn die Voraussetzungen gut sind. Dazu gehört, dass das eigene Singen im gemeinsamen Gesang aufgehoben und getragen ist. Ein gemeinsames Repertoire, eine Anzahl von Liedern, die vielen Menschen bekannt sind, gehört darum zu den wichtigsten Voraussetzungen gemeinsamen Singens. Forschung in der Zwischenzeit wichtige Quellen neu zugänglich gemacht und daher manches Detail  etwas anders zu sehen und zu bewerten gelehrt hat. Paul Kohler stellt uns seine Zusammenstellungen zu einzelnen Wörtern im Gesangbuch zur Verfügung. Die Listen geben Hinweise auf das Vorkommen der Wörter in den entsprechenden Liedern im Reformierten Gesangbuch.

Jump to navigation Jump to search This article is about the composer. Lutheran composer and poet during the Reformation period. Walter was born in Kahla, in present-day Thuringia, in 1496. According to a document filed with his will, he was born with the surname of Blanckenmüller, but adopted out of poverty by a citizen of Kahla, and given an education at Kahla and Rochlitz under his new name: Johann Walter. He began his career as a composer and bass cantor in the chapel of Frederick the Wise at the age of 21. It was a position he would hold until Frederick’s death in 1525.

By this time, he was the director of the chapel and had become an outspoken musical spokesman for Lutherans. Following the conclusion of his appointment to Frederick’s chapel, Walter became cantor for the Torgau town choir in 1525, a post he would hold until 1548, when he was named court composer for Moritz, Duke of Saxony in Dresden. Walter did not remain in Dresden very long, and by 1554 he had accepted a pension from the duke and returned to Torgau, where he remained for the rest of his life. He died on 25 March 1570. While in Dresden, Walter composed a responsorial Passion in German.

Passion as a part of its early passions cycle. The performance took place in Turku Cathedral in 2017, the year of the 500th anniversary of the Reformation. Walter wrote his motets and lieder, often of high quality, in two distinct styles. For the first style he employed a polyphonic manner derived from the Franco-Flemish school, in particular showing the influence of Josquin des Prez and Heinrich Isaac. For the second style Walter rejected imitative or independent voice-leading for chorale writing in which each fragment of the cantus firmus rested simultaneously with the other parts.